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    • CommentAuthorann
    • CommentTimeJan 15th 2008
     

    You follow the life of Daniel Plainview through the whole movie seeing him climb to a place of power, both in his control over others and in his amassing of wealth. In the opening scenes you see him literally climbing up a ladder over and over illustrating his work ethic and stay-on-task drive, and then you see him fall breaking his leg at the bottom of the prospecting pit. In spite of his obvious pain he scrambles to find the silver he sought and gets himself to the surface. The pan up over the looming landscape, which separates him from civilization and help, was immense and full of obstacles, but you know he has no choice but to take it on.

    You don’t see him do it, but you imagine him dragging his body up and over the mountains. Then you finally do see him lying on the floor staking his claim while he still lies there with his broken leg unattended. The help he needed was subordinate to his hell-bent focus on his task.  Embodied in these few scenes there is a huge insight into his character.It is the whole story metaphorically revealed. Something more than just a leg was broken in that man and what it was we are never really sure, yet we can know that the complications from it were huge.

    With that opening scene showing that vast amount of ground to cover we begin to see how he maneuvers through situations, and it foretells something of what his life is all about. I thought these scenes were amazing.

    • CommentAuthorann
    • CommentTimeJan 16th 2008
     

    I saw all of this as metaphorical and fortelling (after I saw the movie, that is, I thought about it that way). Does this still make it the "establishing shots" of the movie? Or do you just get one "establishing shot"? Or does anybody else see these opening scenes similarly? Any thoughts on this idea?

  1.  

    Mise en Scene!

  2.  

    Well, I think you only get one "establishing shot" per scene (Mary Ann Brussat called it "the hills are alive... with the sound of screaming!") but you're right about how much we're being told in those early scenes. If you take a look at the script (there's a link floating around on this board) you'll see that there was a longer sequence planned that filled in all those scenes you're imagining, the way Plainview had to drag himself to town etc.

    I don't know how much about the ending it foretells, but there are certainly big insights into Plainviews character here. The guy just won't quit. Some of what's shown is easy to miss (Plainview sketching the first derrick, the accidental discovery of oil, HW's origin, the first whiskey milkshake!) so this is a great topic for a discussion.

    Others have already pointed out the Kubrickan qualities of the opening, especially the comparisons to 2001. It's definitely worth taking a closer look at everything that this sequence accomplishes. I love the way Plainview slides his hand along the drill bit (or whatever it's called) and raises his hand. There are still no words spoken, but the meaning is clear: "Oil!"

    And there's that fantastic long take of baby HW and Daniel on the train, with the baby reaching for him and the two sharing their closest moment in the film. It's held forever, and then we hear Daniel's voice: "Ladies and Gentlemen..."

    • CommentAuthorann
    • CommentTimeJan 16th 2008 edited
     

    Thank you for all of these thoughts and responses. I believe that I have thought about this movie more than any other movie in recent times, yet it is quite impressive to see that there are so many others who are doing the same. The visual power of this film to me seems to be in large part why the film makes such an impact, but it is also the way this story is intertwined with the visual style. That fetching image of Daniel with the baby on the train as you say is indelible. So many visual images like that carry the story forward.

    I am personally glad that the scene of Daniel dragging himself over the landscape was not included in the film now that you mention it was in the script. What a good call. It fits with a kind of less is more, minimalist feeling, but even more importantly it also draws in the viewer to make links, to visualize and think about what is being seen.

  3.  

    Great insights... Thanks, Ann!

  4.  

    Then you finally do see him lying on the floor staking his claim while he still lies there with his broken leg unattended.

    Actually, I noticed he was wearing a splint on his broken leg as he was lying on the floor. I don't know if he made it himself, but I doubt it. It looked pretty decent. I've broken my leg before and oh my god the pain...I couldn't imagine dragging my body across that landscape! I certainly agree with everything else you said though, Ann. I think even if someone helped him splint the leg, it was obvious that the leg wasn't as important as his greed.

    • CommentAuthorEOTW
    • CommentTimeFeb 4th 2008
     

    My great great grandfather was a farmer and he famously put his foot into a thrasher, pulled it out, dipped his foot in kerosene and pushed what was left of his foot into a mass of flesh and bone and stuck his boot back on and went back to work.  that's the drive tough people have.

  5.  

    I'm with you, EOTW. My grandfather, himself an oil field worker, in his old age would pull out by hand whichever of his teeth were giving him trouble. He lived to be 95 and was probably suckled on beer.

    • CommentAuthorNickelDime
    • CommentTimeFeb 22nd 2008
     
    Given the religious and Biblical symbolism in this film, I think that the opening scene is VERY important. Consider Daniel's fall from the ladder. Ladders, throughout time and across cultures (including Christian culture--consider Jacob's Ladder), represent the link between Heaven and Earth. The scene, of Daniel falling from the Ladder, at least symbolically, establishes him as a man of the earth, one who has fallen, while descending from Heaven. His introduction and reintroduction of himself as an "Oil Man" reiterates this portrait of him as having lost his connection with heaven and all matters spiritual. Even his name, "Plainview," hints of a man without spiritual bent. I think it would be a stretch to paint the mineshaft as "Hell," but his emergence from the Shaft after breaking his leg (especially after his first thoughts after breaking his leg are to search for Ore) certainly could symbolize a rebirth or some sort of emergence. The events definitely help to establish his character--recall that, in light of his well catching fire and his son being deafened, he is still thrilled about being atop an ocean of Oil. The first scene shows his resistance to pain and his perserverance despite it--his single-mindedness surrounding the pursuit of wealth and/or resources.
    • CommentAuthorann
    • CommentTimeFeb 23rd 2008 edited
     

    Thank you for your comments NickelDime, as I had not been thinking about the fall in the opening scenes to symbolize a break with spiritual quest or connection. I had not considered Jacob’s Ladder or the idea of the ladder in that sense. But there it is. I had not thought of that fall as significantly as that.

    In the opening scenes I had considered that the fall was indicating that Daniel was carrying around in him something broken inside and in spite of that was able to push forward, although I had been thinking mainly about his early life and relationships with family. I also felt that what was “broken” within him basically fueled his momentum to move forward toward personal gain. I now see that a “spiritual break” has even more power to reveal insights and fits well with this idea of what is broken can fuel him on. It does in fact carry another level of interpretation to other scenes, maybe even a key to understanding some actions that take place later. I also see that both interpretations can still apply.

    I don’t think that the mineshaft has to symbolize hell if Daniel does not have a heaven concept because there seems to be no evidence that he has a fear of hell. Ironically there seems to be a kind of hell-concept is what he makes of his life on earth. His heaven and hell concept may be one in the same or perhaps just eradicated as any guidelines for his life. I had not really been grasping the significance of the biblical symbolism.
    The rebirth is like coming up out of the earth anew with wealth (not heaven) as his dream perhaps. It is possible to start thinking about a number of things in this direction. Daniel seems to become his own god-figure. As the story moves forward to the end Daniel ascends from dredging oil, anointed head to toe with oil and the touch of the soiling earth to dredging power and dominance metaphorically with “a straw”. He resides in his removed kingdom surrounded by the faceless, nameless men, perhaps his own avenging angels, yet no one can really live in the house of this Lord, Daniel---at least not happily or for very long. I can see this now as a symbolic image hinged to the spiritual/biblical realm because I can see “the fall” differently. Now I really have to see the movie again!

    • CommentAuthorfiveohnoes
    • CommentTimeFeb 24th 2008
     

    I hadn't thought about the significance of the ladder scene either, but it does seem to fit.  Perhaps a fall from grace as his greed overtakes his other emotions, especially empathy.  When you consider his principal antagonist is Eli Sunday, brother Paul, whose father beats his daughter Mary when she doesn't pray.  Daniel as the God-like figure and you have H.W. who falls away from him much like Lucifer fell from God (complete with the fire imagery, though not necessarily malicious evil, as H.W. attempts to burn the house/shack down.)  Then you have the Cane/Able comparison when Daniel kills his supposed kin Henry and one could possibly extend that metaphor to Paul and Eli.

    I'll have to watch for these sort of references next time...

    • CommentAuthorfraximus
    • CommentTimeFeb 28th 2008 edited
     

    Just as an aside, if you have not checked out the documentary "Touching the Void" do so. It will give you some idea of what it's like to crawl across a mountain with a broken leg and the willpower it takes to do it. Incredible and gripping!

    http://www.noordinaryjoe.co.uk/tvandfilm.asp

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